Grasse represents a land of exile or a refuge for many artists
forced to flee their region or their homeland for whatever reason.
Such is the case during the Second World War for Hans Arp, Sophie
Taeuber-Arp, Alberto Magnelli and Sonia Delaunay, to name but a
few.
Exile, the will to affirm one's beliefs against the forces of oppression,
gives refugees a newfound strength. Thus appear powerful works,
so many expressions of the exile's word contesting the silence demanded
by the oppressors.
The "Grasse Group" is formed under the incentive of Hans Arp, more
as a group of friends meeting regularly to discuss their work, than
as a group of creators sharing the same aesthetic principles. Whether
it be drawings, watercolors, crumpled, burnt or glued paper, everyone
expresses him/herself in his/her own way.
It is then, with Sophie Taeuber, Sonia Delaunay, and Alberto Magnelli,
that Hans Arp executes a suite of ten gouaches.
The transposition of these gouaches into lithographs begins in
1943 at the Imbert Press in Grasse, with the excellent Swiss lithographer
André Kalin. But the proofs are destroyed when he is arrested by
the Gestapo in October 1943. Sonia Delaunay manages to save the
gouaches, edited in the form of an album by Nourritures Terrestres
in 1950, as a limited edition of 154 copies.
Lithographs
Excerpts form the album by Hans Arp, Sonia Delaunay, Alberto
Magnelli, Sophie Taeuber Arp
Les Nourritures Terrestres, 1950
H. 27 cm (10 1/2 in.)
L. 21 cm (8 1/8 in.)
"Who within this group of friends, all experimented practitioners of abstract art, came up with the idea of a collaborative creative game? Undoubtedly Arp, always haunted by the work of cathedral builders. One of the four inscribed the final motif, developed by the three others, in turns on the same sheet of paper. Although it's easy to detect the style of each, these artistic rebuses are surprisingly coherent and powerful in their color and their construction".